Archive for August, 2010

Review: The New York Times

Inventive Back and Forth Between Old and New

Anthony Tommasini

One of the biggest “Who could have imagined?” flashes I have had in a long time came during the concert by the impressive International Contemporary Ensemble on Monday night at the Rose Theater. Here, as a highlight of this summer’s Mostly Mozart Festival, was a top-notch contemporary-music ensemble, under the brilliant direction of the fast-rising French conductor Ludovic Morlot, in a program featuring three audaciously modern scores by three living composers. The hall was packed; the audience gave cheering ovations to each work.

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Review: Financial Times

Martin Bernheimer

A fascinating mini-festival materialised within the Mostly Mozart Festival at Lincoln Center this summer. Bearing a generously vague title, Bach & Polyphonies, it was lovingly – sometimes verbosely – curated by the keyboardist Pierre-Laurent Aimard. He managed to celebrate a changing of the avant-garde at every complex turn.

When the six-programme series ended on Monday at the jazz-oriented Rose Theater, Aimard tried hard to demonstrate epochal relationships. In three cases, he paired a brief modern transcription of a Baroque offering – old music cloaked in wrong-note harmonies – with a progressive adventure. His apologia notwithstanding, the connections seemed tenuous.

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